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Selma

Selma is a powerful, emotional film that works in moments both big and small. It announces the major talents of director Ava DuVernay and has…

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Into the Woods

The singing is often splendid. The bits of humor are deftly handled. The pace is relatively swift. And it never feels like a static rendition…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

#145 December 5, 2012

Marie writes: Intrepid club member Sandy Kahn has found another Hollywood auction and it's packed with stuff! From early publicity stills (some nudes) to famous movie props, costumes, signed scripts, storyboards, posters and memorabilia...

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Suicide by way of homicide

Rian Johnson's hyperviolent "Looper" (2102) is the smartest movie I have seen in a long time. It has that fearless edge of an independent film, throwing out all the stops. Its masterful plot carefully hides its foreshadows as elements of its constructed universe. It is a science fiction movie with rudiments of mystery, thriller, horror, comedy and even eschatology. So many characters, young and old, were loaded with charisma, sometimes unexpectedly. My fellow critic Nick Allen was correct when he told me not to watch any trailers (too late) and not to let anyone tell me about this movie. Because of its hyperkinetic, volatile unpredictability, I cannot help but to call this movie "crazy." After watching it, you might have to go look at snails for a few hours to calm down. More than that, this movie is clearly one of the best of the year.

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The crushing suspense of "Das Boot"

May Contain Spoilers

Wolfgang Peterson's "Das Boot" is a tense psychological drama with a powerful anti-war message and enough nerve-wracking suspense to make your heart pound against your chest like depth charges rupturing a submarine's hull. But before I get into why "Das Boot" is possibly the most authentic war film ever made, I'll try to clarify which version to go for as each is almost completely different from the other.

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