Freeheld stumbles over too many hurdles to recommend it. The film’s heart is in the right place, but its focus is not.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Q. In your review of Jackie Chan's latest American release, "The Legend Of Drunken Master," you praised his athletic skills but wrote that computerized special effects have made them sort of obsolete: "When you see bodies whirling in air in 'The Matrix,' you don't think about computers, you simply accept them. But what Chan does, he is more or less, one way or another, actually doing."