Slick, glossy and radiating juicy villainy, it knows exactly what kind of movie it is and goes for it with giddy abandon.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The November Bright Wall/Dark Room Excerpt on Alfred Hitchcock's "Shadow of a Doubt."
Arthur Penn, whose "Bonnie and Clyde" was a watershed in American film, died Tuesday night at 88. Gentle, much loved and widely gifted, he began life in poverty and turned World War Two acting experience in the Army into a career that led to directing in the earliest days of television and included much work on Broadway.
There is a kind of shyness, a modesty, about Francis Ford Coppola that is so surprising. Here is the director of "The Godfather," and the epic "Apocalypse Now," and the paranoid psychodrama "The Conversation," and he talks about whether he has the right to put his name above the title. Kids out of film school put their names on their first films, and here he is explaining why his movies are called "Mario Puzo's The Godfather" and "Bram Stoker's Dracula" and "John Grisham's The Rainmaker."
There was often a sadness about Joseph Cotten, and it was one of his most attractive qualities as an actor. Tall, handsome, usually dressed with quiet style, he was rarely the man of action, and he got the girl only in his forgotten pictures.