Deadpool is a fun character, but he’s still in search of a fun movie to match his larger-than-life personality.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Some of the best tweets from Ebertfest 2014.
The panel subjects and panelists for the 16th Annual Roger Ebert's Film Festival have been announced, including Patton Oswalt, Brie Larson, Steve James, and more.
Here is the full schedule for Ebertfest 2014.
New York Film Critics Circle deems "American Hustle" best picture; the Oscar documentary shortlist; the earning potential fo the regional film festival circuit; Ted Hope's 30 really bad things in the indie film biz; Buffalo's remaining movie theater may go dark.
Ted Hope gives thanks (about the indie film biz); how the "Catching Fire" movie outstrips the book; animals are still being harmed in many films; why "Boardwalk Empire" Season 4 is a masterpiece; men who explain rap to women.
I said just about everything I had to say about the Oscars in a dozen or so tweets I filed the evening of the broadcast, in between juggling manual updates for a couple of stories on RogerEbert.com (including Roger's live-tweets of the show) and approving Oscar comments on Roger's blog. I think I got out of my chair two or three times between 3:30pm and 9:30pm PST.
So, yeah, I made a few observations -- like this:
Instead of playing "I Am Woman" after Kathryn Bigelow's win, why didn't they play "Papa Can You Hear Me?" for Babs? #oscars
Elinor Burkett's Oscar performance marks the official arrival of the word "Kanye" (or "Kanyed") as a verb. http://j.mp/9XIwqy #oscars
Has "Based on the Novel Push by Sapphire" become the new "Electric Boogaloo"?
Q. In the most recent Answer Man, you discussed the fact that Jennifer Connelly is photographed at the end of a dock or pier in "Dark City," "Requiem for a Dream" and "House of Sand and Fog." In a deleted scene on the DVD of "A Beautiful Mind," there is a sequence where Russell Crowe dreams of Jennifer Connelly running toward a dock on a lake.