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Sand Storm

A fairly familiar critique of patriarchy from a humanist and feminist perspective, but one that’s put across with some very impressive filmmaking skills by a…

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Deepwater Horizon

Everything here feels routine—more like an inevitability than a work of art or even a piece of entertainment.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Interview with James Coburn

TORONTO, CANADA - James Coburn is one of those movie stars who inspire an instinctive reaction in a lot of people. They seem to believe he's getting away with something. Maybe it's that grin, the one that somehow suggests that fate has given Coburn a free lifetime pass. In the 1960s, that decade when the generation under 30 seemed drenched in euphoria, Coburn's grin hinted that he was...well, always stoned. Now it is 1980, and the grin still hints at the same thing. James Coburn is not, however, always stoned. He just looks that way; it's part of his image.

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