The Magnificent Seven
Rarely have so many charismatic actors been used in a film that feels quite as soulless as Antoine Fuqua’s update of The Magnificent Seven.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Google "best movies of 2011 so far" (without the quotation marks) and you'll get approximately 19-and-a-half million results, which is just about what this whole obsessive-compulsive list-making thing feels like to me. "Ten-best" (and "ten-worst") mania used to be an annual phenomenon among movie fans and critics; now it happens every few months. Perhaps it's a symptom of what Simon Reynolds calls "Retromania," reflecting the brevity of pop-culture nostalgia cycles (is the first decade of the 21st century now officially "retro"? Oooh, remember those cool circle touchpads on old-skool iPods?) and the "museumification" and "curation " of virtually everything that can be collected, commodified, categorized, chronologized, hierarchically ranked or otherwise pigeonholed. (I sometimes enjoy lists, too, but while I occasionally make artisanal ones -- even bespoke ones -- I do not curate them.)
Seems I've been running across those headlines since May, at least: "Best Movies of 2011 (So Far)," and "Worst Movies of 2011 (So Far)." Here's a sampling of critics and outlets that have published such lists: Metacritic, Moviefone, Roger Ebert (best and worst), IndieWIRE's The Playlist, JoBlo.com, somebody at the Huffington Post, Christy Lemire and Ignatiy Vishnevetsky at "Ebert Presents: At the Movies (both best and worst), Dennis Cozallio at Sergio Leone and the Infield Fly Rule, Paste magazine, Awards Daily (the name of which says exactly where I fear we're headed), CinemaBlend.com, Glenn Kenny at MSN Movies and FilmFan, Peter Travers at Rolling Stone, RopeofSilicon.com, IFC.com, beliefnet's Movie Mom, Fandango... STOP already!