The Hitman's Bodyguard
While no one is going to mistake The Hitman’s Bodyguard for high art, it will please those in the mood for late-summer fun.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
By Roger Ebert
LOS ANGELES - "Crash," a film about the complexities of racism in the American melting pot, was named the year's best picture here Sunday at the 78th Academy Awards. It tells interlocking stories about many of America's ethnic groups, and cops and criminals, the rich and the poor, the powerful and powerless, all involved in racism. The film's circular structure shows how a victim on one day could be a victimizer on another, and doesn't let anyone off the hook.
You could be winging your way to an all-expenses-paid vacation to the Mexican Riviera if you manage to best the master at his own game.
TORONTO, Ont. - Although the Toronto Film Festival lacks an official competition, lots of awards are handed out on closing day. As they were announced Saturday, I felt like I was standing on the pier waving sadly as the ship sailed. Although I saw 43 of this year's films, either here or at Telluride, Cannes or Sundance, I managed for the first time to get through the entire festival without having seen a single film that won a prize.