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Amy

Sometimes, it feels as if we are eavesdropping on day-to-day conversations rather than just hearing the usual litany of platitudes and regrets.

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Stray Dog

"Stray Dog" largely succeeds because Granik's technique complements her subject. Both he and the film are modest in their goals and cherish the value of…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Redford reflects on indie films, political climate

PARK CITY, Utah--Robert Redford remembers the early years of the Sundance Film Festival: "We had 30 or 40 films, in two theaters. I was standing in the street outside the Egyptian Theater, handing out brochures like a street hawker, trying to talk people into coming inside. I saw David Puttnam, who was running Columbia at that time, and gave him the pitch. He went in, saw Jim McBride's 'The Big Easy,' and bought it. That was the first film bought at Sundance."

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