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The Good Dinosaur

A film that has some promising elements and which often seems as if it is on the verge of evolving into something wonderful but never…


The Danish Girl

The Danish Girl lacks an immediacy and vibrancy, as well as a genuine sense of emotional connection.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…


Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Redford reflects on indie films, political climate

PARK CITY, Utah--Robert Redford remembers the early years of the Sundance Film Festival: "We had 30 or 40 films, in two theaters. I was standing in the street outside the Egyptian Theater, handing out brochures like a street hawker, trying to talk people into coming inside. I saw David Puttnam, who was running Columbia at that time, and gave him the pitch. He went in, saw Jim McBride's 'The Big Easy,' and bought it. That was the first film bought at Sundance."

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