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The Congress

"The Congress" is a roll call of the orgiastic pleasures and bountiful comforts that art provides, and, a reminder of what waits for us when…

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As Above, So Below

It's that rare found-footage film with a strong premise, a memorably eccentric style, and plenty of energy to burn. It's also poorly conceived, and hard…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Movie Answer Man (06/16/2002)

Q. The neo-Nazi terrorists in the film version of the "The Sum of All Fears" were radical Muslim terrorists in Tom Clancy's book, but as you noted in your review, the change was made in order to avoid offending people. What's your take on all this? Has the Muslim terrorist in movies gone the way of the Indian marauder? (Stephen Athanson, Blue Ridge VA)

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Movie Answer Man (04/01/1993)

Q. I understand Warner Bros. was forced to suspend plans for the release of a new 70mm print of the restored "director's cut" of Sam Peckinpah's "The Wild Bunch" after the MPAA rated the film NC-17. I would very much like to hear Jack Valenti explain why "The Wild Bunch" gets an NC-17 when even more violent films like "Total Recall" get an R. Violence is okay only so long as it occurs among cardboard characters in a cartoon script? --Robert Lauriston, San Francisco

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