Pride and Prejudice and Zombies
The small, deadpan moments in "Pride and Prejudice and Zombies" have more of an impact than the massive, noisy set pieces.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Q. The neo-Nazi terrorists in the film version of the "The Sum of All Fears" were radical Muslim terrorists in Tom Clancy's book, but as you noted in your review, the change was made in order to avoid offending people. What's your take on all this? Has the Muslim terrorist in movies gone the way of the Indian marauder? (Stephen Athanson, Blue Ridge VA)
Q. I understand Warner Bros. was forced to suspend plans for the release of a new 70mm print of the restored "director's cut" of Sam Peckinpah's "The Wild Bunch" after the MPAA rated the film NC-17. I would very much like to hear Jack Valenti explain why "The Wild Bunch" gets an NC-17 when even more violent films like "Total Recall" get an R. Violence is okay only so long as it occurs among cardboard characters in a cartoon script? --Robert Lauriston, San Francisco
Ebert's Best Film Lists1967 - present