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Winter Sleep

The running time of his new picture Winter Sleep, three hours and change, suggests weight, but at it happens, this movie struck me as both…

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Mr. Turner

Filmmaker Mike Leigh's biography of the landscape painter J.M.W. Turner is what critics call "austere"—which means it's slow and grim and deliberately hard to love—yet…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

David Lean, a filmmaker of epic scale

On the day I went to visit David Lean's set of "Ryan's Daughter" in Dingle, Ireland, in 1969, the sun was shining and it reflected a dazzling light off the sands of the beach. The next day it started to rain, and within a week Robert Mitchum made his famous observation, "We've shot for one day and we're eight days behind schedule." Months later, Lean eventually took cast and crew members all the way to Natal in South Africa to match the sunny beach. He could, of course, have started over again and shot the beach scene with an overcast, but an overcast wasn't what he had in mind. He wanted sun, even in Ireland, even in March.

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