Tsai Ming-Liang's first feature in five years is a mysterious and alienating series of tableaus about the fragility of flesh and the smallness of humanity.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
You always know with a Robert Altman film that you'll get some kind of nudge, a dig in the ribs to wake you up and make you think differently. In the days when he was riding high with "M*A*S*H" and "Nashville," and now in these latter days when his eccentricity isn't fashionable, that hasn't changed. When you ask him why he's working in Paris or on Broadway or cable TV, Altman always grins and says, "I fiddle on the corner where they throw the coins." It's one of his favorite expressions. But he fiddles where he damn well pleases.