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The Maze Runner

What’s intriguing about “The Maze Runner”–for a long time, at least–is the way it tells us a story we think we’ve heard countless times before…

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20,000 Days on Earth

In his music, he routinely celebrates/deconstructs his public persona: brutalizer, coward, agnostic, and wannabe deity. "20,000 Days on Earth" is accordingly not a biography, but…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

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The future of affirmative action; what it means to be "Pro-Putin"; Jaws the Revenge, re-shredded; James Gandolfini, cautionary tale; Isadora Duncan's forgotten art; getting to the bottom of that mysterious Mad Men poster; Roger and Gene rave about Star Wars on Nightline.

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Movie Answer Man (09/10/2000)

Q. In your review of "The Cell" you described the outfits worn by Jennifer Lopez and others while voyaging into the minds of patients as "virtual reality gear." I think the opposite was the case. The outfits were probably worn by the characters to completely desensitize them from the external world so that the therapy could not be interrupted. That's probably also why they were suspended in mid-air. During the therapy sessions the characters did not move their bodies at all. If they were wearing virtual reality gear their bodies, conceivably, would have been mimicking their movements. (Jordan Potasky, Toronto)

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