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This Is Where I Leave You

The family gathering comedy is one of the more difficult genres to pull off. Good for Levy for trying something different. But next time he…

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The Zero Theorem

Terry Gilliam's first science fiction film since "12 Monkeys" is an inventively designed but oddly inert satire on technology, God and the future of humankind.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

You see me here, you gods, a poor old man

May Contain Spoilers

It's always difficult to put a play on the stage. Actors and crews work hard amid many setbacks that can happen on and behind the stage. If they are lucky, they will survive today's performance with descending curtain and some fulfillment. Then they will have to struggle for another performance tomorrow with today's performance faded into yesterday.

It sounds gloomy, but people in "The Dresser"(1983) stick together and try to go on while believing they are accomplishing something in spite of their mundane reality in and out of theater. At one moment, one character confides to the other about her life spent on theater business: "No, I haven't been happy. Yes, it's been worth it." Norman, played by Tom Courtenay, can say the same thing if asked.

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