Tsai Ming-Liang's first feature in five years is a mysterious and alienating series of tableaus about the fragility of flesh and the smallness of humanity.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Q. Your review of "The Mummy Returns" was harsh on what is, was, and always will be a popcorn movie--a fun jaunt through Indiana Jones territory. It was meant to open the summer with a bang, and has achieved that. In a movie where they have resurrected an ancient mummy and there are magic powers abounding, does it really matter if Rick O'Connell can run 1,000 miles an hour, or that one of two armies can emerge unscathed from battle? So why take issue with "unbelievable" ideas and scenes? I review movies for a web site, and gave "The Mummy Returns" a mostly glowing review, as a popcorn movie. It won't go on my list next to "Fight Club," "The Usual Suspects" or "Run Lola Run," but it is still good fun. (J. Scott, Oakville ON)