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Beauty and the Beast

A sturdy and frequently dazzling version that should leave audiences swooning with delight.

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The Age of Shadows

At 140 minutes, Kim sometimes loses the rhythm of his spy thriller, but he's such a confident filmmaker—and his leading man such a magnetic presence—that…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Walk Away Renee: You're not to blame

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"Walk Away Renee" is available on SundanceNow's new Subscriber Video-on-Demand Program Doc Club from June 27, 2012.

When you were young didn't you think your parents were crazy? Did you swear you wouldn't turn out like them? For filmmaker Jonathan Caouette, those two worries have defined his life because his mother suffers from bipolar personality and schizoaffective disorders, something that he focused on in his award-winning 2003 documentary "Tarnation." In his new film, "Walk Away Renee," Caouette brings us up to 2010 with the focus on Caouette driving his mother, Renee LeBlanc, in a U-Haul from Houston to New York.

For a dysfunctional family, road trips can be filled with emotional landmines. For Caouette, this bonding experience starts out well, but early on, they lose Renee's 30-day supply of lithium. Without her mood stabilizing meds, you know that things can only get worse. For people who have bipolar relatives, this story might seem heartbreakingly familiar.

Caouette's "Tarnation" begins with overexposed grainy images. The highlights are blown out to white; this isn't a technical problem, but an expression of panic. His mother has overdosed and the documentary then shows the events building up to this emergency. Caouette began filming his family in 1984 and in "Tarnation" we see him as a young troubled boy, starved for attention and trying to make sense of his world, his sexual orientation and the mother he loves while being raised by his overwhelmed though well-meaning grandparents, Adolph and Rosemary Davis.

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The good, the bad and 'De-Lovely'

CANNES, France -- The winners of this year's Cannes Film Festival will be announced at a ceremony Saturday night. As I write, the leading contenders for the Palme d'Or are said to be "The Motorcycle Diaries" from Brazil and "Comme Une Image" ("Look at Me") from France, although there are supporters for "2046" (2005) by China's Wong Kar-Wai, a film I found maddening in its mannered repetition of a few worn stylistic and dramatic strategies. And it is said that Michael Moore's "Fahrenheit 9/11" will win one of the top prizes; it was cheered longer than any other film in festival history.

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