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American Sniper

American Sniper proves the dictum “never count an auteur out” by proving itself as Eastwood’s strongest directorial effort since 2009's underrated Invictus pretty much right…

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The Interview

Opportunities at rich satire flatten out into Hangover dude-dope-doodoo jokes, where the premise is that there’s nothing funnier than watching over-privileged grown men act out…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Cast and Crew

* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Fiorentino Finds Good Ways to Be Bad

`I have this terminal condition called bitchiness, right?" Linda Fiorentino smiled, and tossed her hair back from her forehead. Straight, black hair, framing dark eyes that level with you. Just the way she looked in "The Last Seduction," and just the way she looks in "Jade."

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Movie Answer Man (03/19/1995)

Q. In a theater lobby I saw the poster for the new movie "Bye, Bye Love," and there seemed to be something uncannily wrong about it. After staring at it for a long time, I realized what. The stars of the movie are all lined up smiling, including a small boy in the second row who is giving a "thumbs up" sign. If you compare the size of his hand with the size of the hand of the small girl also in the same row, you will see that his hand is about three times larger than her hand--almost as big as his face, in fact. Do you think this is really his own hand? Or has it been painted in by the ad agency, as a subliminal way of giving the movie "thumbs up?" (Sheila Chesham, Chicago)

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