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Listen Up Philip

The terrific cast all delves into the material full-bore, which contributes to its peculiar resonance. Perry may hate everyone and everything, but in making a…

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Private Violence

A look at the complexity of domestic violence, especially when it comes to the difficulty of prosecuting abusers in a court of law, "Private Violence"…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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TIFF: The war over there

View image Christian Bale in Werner Herzog's "Rescue Dawn."

For the first half of Werner Herzog's "Rescue Dawn," the fictionalized movie based on his documentary 1997 "Little Dieter Needs to Fly," I wasn't sure if Herzog had tamed the commercial feature or if it had tamed him. By the end, I felt it was the most harrowingly realistic and unsentimentalized P.O.W. film I'd ever seen.

The story is "inspired by" Dieter Dengler, an American Navy pilot (born in Germany) whose plane crashed in 1965 in Laos, where there wasn't supposed to be any bombing and before there was a "War in Vietnam." U.S. "military advisors" were there, supporting the South Vietnamese, but as far as most Americans were concerned, "war" hadn't broken out. Dengler survived the crash, was captured by Laotians, and held in what he and his fellow captives believed to be a Viet Cong camp. By the time Dengler arrived, some of the handful of Americans and Vietnamese interred there had been detained for more than two years already.

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Audience reacts with confusion, anger to Lars Von Trier film

CANNES, France--The so-far disappointing 2003 Cannes Film Festival stirred from its torpor over the weekend with sex, violence and dogma. This being Cannes, dogma got the most attention, as Lars Von Trier, a founder of the minimalist Dogma movement, unveiled his three-hour "Dogville." This is one of the most confounding and exasperating films of the festival, and maybe it is brilliant, but I will not be able to determine that until I have recovered from the ordeal of sitting through it.

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Feeding the buzz about 'best' films

PARK CITY, Utah Of course I've seen all the wrong films so far at the Sundance Film Festival, according to the touts who whisper in my ear before screenings. It is always this way. You think you're seeing wonderful films, and everybody assures you that you've missed the masterpieces and are hopelessly out of the loop.

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