In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_large_ff2ufvphien2szdtsmjflh03efz

Dear White People

You could make a (film geek) party game out of guessing director Justin Simien's influences, but his vision seems to spring directly from what's up…

Thumb_10687421_10152289281917007_4858446204490388004_o

Private Violence

A look at the complexity of domestic violence, especially when it comes to the difficulty of prosecuting abusers in a court of law, "Private Violence"…

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives

Cast and Crew

* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Four screenings, from blues to bliss

Walking down a narrow side street from my hotel to the Palais at 7:55 am every morning involves running a gauntlet of persistent petitioners, who appeal to those rushing to the 8:30 am press screenings for spare admission tickets. Press get in by showing their badges, but those whose accreditation is only through the film market sign up online for tickets, which they sometimes don't need. Spare tickets must float around frequently enough to justify cinephiles of all ages honing their approach techniques, from aggressive and confrontational to polite and needy. Some hold little handmade signs with the name of the day's film, and close in no matter how fast you walk or how diligently you avoid eye contact.

Left: Im Sang-soo's remake of "The Housemaid."

Continue reading →