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The Congress

"The Congress" is a roll call of the orgiastic pleasures and bountiful comforts that art provides, and, a reminder of what waits for us when…

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As Above, So Below

It's that rare found-footage film with a strong premise, a memorably eccentric style, and plenty of energy to burn. It's also poorly conceived, and hard…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

The Boys Who Cried 'Moral Equivalence'

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In a piece last week about irresponsible and wantonly unsubstantiated criticisms of Steven Spielberg's "Munich" (by some people who hadn't even seen it), I wrote that the term "moral equivalence" is the "first refuge of a con-artist." Speak of the devil, sure enough, the ever-(un)reliable Michael Medved (the guy who tried lamely to argue this time last year that Clint Eastwood's "Million Dollar Baby" advocated killing disabled people) immediately stepped forward with this comment on his web site:SPIELBERG PUSHES MORAL EQUIVALENCY

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