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The Boy Next Door

The Boy Next Door has its share of so-bad-they’re-good moments – and details, and chunks of dialogue – but not nearly enough. Mostly, they’re just…

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Son of a Gun

Avery’s more than capable behind the camera, he just needs to be met halfway by his screenwriting, which dwells in overly familiar territory.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

The Boys Who Cried 'Moral Equivalence'

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In a piece last week about irresponsible and wantonly unsubstantiated criticisms of Steven Spielberg's "Munich" (by some people who hadn't even seen it), I wrote that the term "moral equivalence" is the "first refuge of a con-artist." Speak of the devil, sure enough, the ever-(un)reliable Michael Medved (the guy who tried lamely to argue this time last year that Clint Eastwood's "Million Dollar Baby" advocated killing disabled people) immediately stepped forward with this comment on his web site:SPIELBERG PUSHES MORAL EQUIVALENCY

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