In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_6svpck54r9k0mz9xcfzswrxcin

Winter Sleep

The running time of his new picture Winter Sleep, three hours and change, suggests weight, but at it happens, this movie struck me as both…

Thumb_hkvkhuuugjj4jrxkkvqoq5jnqx5

Annie

The new version of "Annie" is fashionably artificial and not very well directed, but its unabashed good cheer is very welcome.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Channel Archives

Cast and Crew

* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

The Boys Who Cried 'Moral Equivalence'

Primary_thwcme_scanner

In a piece last week about irresponsible and wantonly unsubstantiated criticisms of Steven Spielberg's "Munich" (by some people who hadn't even seen it), I wrote that the term "moral equivalence" is the "first refuge of a con-artist." Speak of the devil, sure enough, the ever-(un)reliable Michael Medved (the guy who tried lamely to argue this time last year that Clint Eastwood's "Million Dollar Baby" advocated killing disabled people) immediately stepped forward with this comment on his web site:SPIELBERG PUSHES MORAL EQUIVALENCY

Continue reading →