I can report that it enraptured and delighted, and most importantly, made quiet, the houseful of little kids and their nannies with which I watched…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
"Killing Bono" available On Demand (through various cable outlets -- check your listings) October 5. In theaters November 4.
by Odie Henderson
"Every time a friend succeeds, I die a little." -- Gore Vidal
I was the only patron at my screening of "U2: Rattle and Hum" back in 1988. Sitting in the cavernous darkness of my old 'hood theater, with its still-unmatched speakers and the ghosts of my childhood movies, I fell in love with the band U2. Beforehand, I had a casual familiarity with their music, and while I liked some of the songs, I wouldn't have considered myself a fan. I went because the black and white cinematography looked gorgeous in the clips I'd seen on TV. I wasn't disappointed. Phil Joanou's documentary is achingly beautiful. That, along with Bono and the New Voices of Freedom gospel choir's performance of "I Still Haven't Found What I'm Looking For," cemented my diehard fandom. Once, in a Dublin pub, armed with numerous imbibed pints of Guinness and a dare from the guitar-playing busker who'd been entertaining the crowd, I sang "All I Want Is You" to a crowd of swooning lasses standing in front of me. That evening ended well.
Neil McCormick, the protagonist of "Killing Bono" would hate that I started this piece fawning over the murder victim of the film's title. After all, he feels trapped in Bono's shadow and decides he has to kill him. "Killing Bono" opens in 1987, with a stalkerish Neil (Ben Barnes) driving his car to Bono's latest Dublin appearance. Rambling to the camera that he was originally entitled to everything Bono has, Neil crashes his car before exiting with his gun drawn and pointed at his prey. "I always knew I'd be famous," he tells us.
Cue the flashback machine! Suddenly, it's 1976, and McCormick stands in a high school hallway reading a billboard notice. His classmate, Paul Hewson (Martin McCann), is holding auditions for his new band, The Hype. Despite being in Neil's band, The Undertakers, Neil's brother Ivan (Robert Sheehan) tries out for second guitar. Much to Neil's chagrin, Hewson loves Ivan's work and wants him for his band. Neil objects--Ivan's really good and essential to Neil's success--so he tells Paul no deal.
"Of few deaths can it be said that they end an era, but hers does. No other actress commanded more attention for longer, for her work, her beauty, her private life, and a series of health problems that brought her near death more than once." - Roger, from Elizabeth Taylor, a star in her own category
From the Big Kahuna: Yes, this is the front of the Virginia Theater in Champaign-Urbana, where Ebertfest is held every year. The old marquee was showing its age, and will be replaced by the time Ebertfest 2011 is held on April 27-30. Update: I read in the Champaign-Urbana News-Gazette that the new marquee is still in design, but park officials expect it to be a better complement to the theater's Italian Renaissance-style architecture and resemble the 1921 original marquee. When concepts are finalized, they will go before the park board for approval.