The characters are not people, but rough drafts of simplistic character-traits, and the actors (game as they all are) cannot create something out of nothing.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Ray Harryhausen's creature drawings; How hollywood killed death; Live-coverage of Hateful Eight reading; Masterful noir films; A short movie.
Marie writes: While writer Brian Selznick was doing research for his book "The Invention of Hugo Cabret", he discovered the Franklin Institute in Philadelphia had a very old automaton in their collection. And although it wasn't one of machines owned by Georges Melies, it was remarkably similar and with a history akin to the one he'd created for the automaton in The Invention of Hugo Cabret...
It is fairly widely known, three months after the film's premiere at Cannes, that Quentin Tarantino's "Inglourious Basterds" has, shall we say, a surprise ending. How did Tarantino feel about rewriting history? He uses admirable logic in arguing that he did not: "At no time during the start, the middle or ever, did I have the intention of rewriting history. It was only when I was smack dab up against it, that I decided to go my own way. It just came to me as I was doing what I do, which is follow my characters as opposed to lead."