Pride and Prejudice and Zombies
The small, deadpan moments in "Pride and Prejudice and Zombies" have more of an impact than the massive, noisy set pieces.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Knowing that the summer would bring new releases by two of today's most "controversial" (as Entertainment Weekly might put it) auteurs -- M. Night Shyamalan and Christopher Nolan (one with a critical reputation on a downward slide, the other on the upswing) -- it seemed like a good time to plug some notable gaps in my experience of their filmographies. I still haven't seen Shyamalan's pre-"Sixth Sense" features, "Praying with Anger" (1992) or "Wide Awake" (1998), or Nolan's pre-"Memento" chronology-shifter, "Following" (1998) -- which, the credits reveal, features a thief named Cobb, like "Inception." More significantly, I suppose, I hadn't seen (all of) Shyamalan's hit "Signs" (2002), or any of Nolan's "The Prestige" (2006) -- the former because it just hadn't held my interest the first time I tried to watch it and the latter because my critic-friends who'd seen it were unanimous in finding it dull and uninspired.