Pride and Prejudice and Zombies
The small, deadpan moments in "Pride and Prejudice and Zombies" have more of an impact than the massive, noisy set pieces.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
LONDON - Richard Burton said, "It's that long hair, that's what it is." He stroked the hair back from the face of Lisa Todd, Elizabeth's daughter, and looked into the girl's eyes. "It's that long hair getting into your eyes." He shook his head, pretending great solemnity. "We'll have to operate," he said. "The left eye definitely has something in it. We'll operate at...ah, four this afternoon, I think. Very serious." Lisa laughed and shook her hair back into her eyes. Burton took her by the hand and led her into his dressing room. "Gonzales is playing again this afternoon at Wimbledon," he said. "Did you see yesterday's match? It was rather better than 'Hamlet' - the old man against the young man."
LONDON - There's a photograph of Irene Papas in the files of The Sun-Times, taken when she arrived in Hollywood in the 1950s. It's a typical publicity picture, sort of modified cheesecake; she's sitting on a trunk with her legs crossed and the handout says something about a Greek starlet arriving to star in the new Cagney picture.