In Memoriam 1942 – 2013 “Roger Ebert loved movies.”


Steve Jobs

The fact that he doesn’t try to redeem these flawed, fascinating figures—or even try to make you like them in the slightest way—feels like an…


Knock Knock

As a piece of social satire, Knock Knock winds up being not just toothless but anticlimactic.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…


Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Cast and Crew

* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Martin Ritt focused on social issues

He was a large, genial, thoughtful man who was not quite your picture of a big-time Hollywood director. For one thing, he wore a jump suit everywhere he went. He had a closet full of them, in different colors and fabrics, and there was even a black-and-white "formal" jump suit that he wore with a bow tie to the Academy Awards. He said he didn't like to waste time every morning deciding what to wear for the rest of the day. He had better things to think about.

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Interview with Robert Radnitz

The boy is 11 or 12, and he lives on a sharecropper farm with his parents, his brother and his sister. His parents are people of enormous dignity and strength - qualities the white community did not prize among blacks in the Louisiana of 1930. But they attempt

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