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Jimi: All Is by My Side

What’s fascinating about “Jimi: All Is By My Side” is not only its decision to show us this particular chapter in Hendrix’s life, but also…

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The Boxtrolls

"The Boxtrolls" is a beautiful example of the potential in LAIKA's stop-motion approach, and the images onscreen are tactile and layered. But, as always, it's…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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#106 March 14, 2012

Marie writes: It's official. I have died and gone to heaven. For here below, as part of an ongoing series exploring Britain's architectural wonders, the Observer's architecture critic Rowan Moore, introduces a spectacular interactive 360-degree panoramic photograph of "The grand staircase in the St Pancras Renaissance hotel" - which I regard as one of the most beautiful pieces of architecture I have ever seen. I adore this building and always will; it's the stuff of dreams. (Click photo to enlarge.)

Go here to explore a 360 panoramic view of the grand staircase!

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Interview with Sybil Danning

CANNES, FRANCE - After a thorough and impartial search of the beaches, hotel lobbies and screens of the 35th annual Cannes Film Festival, I am pleased to announce my selection of the 1982 Cannes Sex Symbol of the Year. Previous winners have included Edy Williams, who rode naked atop a convertible through the old marketplace of this once sleepy little fishing village; Barbara Ferrera, who told me she would rather play a scene with a jaguar than with a man, and Bo Derek, who did not even need to attend the festival to win the honor.

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Sybil Danning: 1982 Cannes Sex Symbol of the Year

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CANNES, FRANCE - After a thorough and impartial search of the beaches, hotel lobbies and screens of the 35th annual Cannes Film Festival, I am pleased to announce my selection of the 1982 Cannes Sex Symbol of the Year. Previous winners have included Edy Williams, who rode naked atop a convertible through the old marketplace of this once sleepy little fishing village; Barbara Ferrera, who told me she would rather play a scene with a jaguar than with a man, and Bo Derek, who did not even need to attend the festival to win the honor.

Continue reading →