The Danish Girl
The Danish Girl lacks an immediacy and vibrancy, as well as a genuine sense of emotional connection.
Selections from Roger Ebert's Cannes coverage…
Flashback #9: Why It's All Worth It
Roger opened his coda for the 2005 festival with these words: "I have just had 24 hours I want to tell you all about. These hours explain why I come to Cannes, why all the confusion, expense and hassle, the staying up too late, the getting up too early, the computer meltdowns, the intestinal emergencies, the three or four movies a day, the endless debates about impenetrable plots, are all worth it. Why I love it." Need I say more? Pas du tout.
Matt Zoller Seitz reviews and reflects upon Jesse Eisenberg's New Yorker piece about film critics.
An article about Spike Lee's Honorary Oscar at the 2015 AMPAS Governors Awards.