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Jimi: All Is by My Side

What’s fascinating about “Jimi: All Is By My Side” is not only its decision to show us this particular chapter in Hendrix’s life, but also…

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The Boxtrolls

"The Boxtrolls" is a beautiful example of the potential in LAIKA's stop-motion approach, and the images onscreen are tactile and layered. But, as always, it's…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Cannes Flashback: Why It's All Worth It

Selections from Roger Ebert's Cannes coverage…

Flashback #9: Why It's All Worth It

Roger opened his coda for the 2005 festival with these words: "I have just had 24 hours I want to tell you all about. These hours explain why I come to Cannes, why all the confusion, expense and hassle, the staying up too late, the getting up too early, the computer meltdowns, the intestinal emergencies, the three or four movies a day, the endless debates about impenetrable plots, are all worth it. Why I love it." Need I say more? Pas du tout.

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