The film breathes exhilarating life into its tired premise, thanks to some dazzling action choreography, stylish visuals and–most importantly–a vintage anti-hero performance from Keanu Reeves.
Selections from Roger Ebert's Cannes coverage…
Flashback #8: Waiting for Godard
Though Godard has a new film at Cannes this year, his previous picture, "Film Socialisme," had been rumored to be his last. Roger found the 2010 abstract mosaic to be a head-scratching mess, and wrote memorably about the bewilderment that ensued when Godard failed to show up to his own press conference, thus bringing added meaning to the film's final title card reading, "NO COMMENT." Of further interest is the film's setting, the Costa Concordia, the ill-fated Italian cruise ship which sank in 2012.
This message came to me from a reader named Peter Svensland. He and a fr...
An appreciation of "1941" and interview with Bob Gale.
An appreciation of filmmaker, writer and actor L.M. "Kit" Carson, a singular talent.
A review of Paul Thomas Anderson's "Inherent Vice" from the 2014 New York Film Festival.