The Choice totally botches its central pairing, to the point where you might find yourself hoping the blandly irksome twosome fail to even get together.
Selections from Roger Ebert's Cannes coverage…
Flashback #8: Waiting for Godard
Though Godard has a new film at Cannes this year, his previous picture, "Film Socialisme," had been rumored to be his last. Roger found the 2010 abstract mosaic to be a head-scratching mess, and wrote memorably about the bewilderment that ensued when Godard failed to show up to his own press conference, thus bringing added meaning to the film's final title card reading, "NO COMMENT." Of further interest is the film's setting, the Costa Concordia, the ill-fated Italian cruise ship which sank in 2012.
This message came to me from a reader named Peter Svensland. He and a fr...
The latest Unloved looks back at David Bowie and Julien Temple's 1986 collaboration.
A piece on the American experience reflected through four films at the Sundance Film Festival by an Ebert Fellow.
A peculiar film, poised somewhere between satire and dream logic.