Southbound is a prime example of a horror omnibus film: even the weaker segments have something to recommend them.
I've seen a lot of editing feats like this, but there seems to be an uncanny match here between the music and the action. It consumes me with the desire to see a Rita Hayworth musical right away.
Thanks for the link to MIchael Jones.
This message came to me from a reader named Peter Svensland. He and a fr...
A piece on the American experience reflected through four films at the Sundance Film Festival by an Ebert Fellow.
A peculiar film, poised somewhere between satire and dream logic.
So tired of slave movies; Abuses in NYC ticketing industry; Rosenbaum on "La belle noiseuse"; Hollywood's Westmore fa...