In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

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How to Be Single

Think of "How to Be Single" as a cinematic Whitman’s Sampler: There are enough pieces that work to offset the pieces that don’t.

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Deadpool

Deadpool is a fun character, but he’s still in search of a fun movie to match his larger-than-life personality.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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My revised predictions at about 1:40 pm CST 2/24/2013

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After giving my Official Outguess Ebert guesses in announcing my annual Oscar winners contest, a few weeks later--with my ear to the ground--I made some revisions: "Silver Linings Playbook" for Best Picture and Emmanuelle Riva for "Best Actress," in "Amour."

My official Outguesses must remain unchanged. My revised predictions don't count. Fair's fair.

An apology. Some readers found it impossible to enter, because of problems with the link. It took them to a registration form for the Sun-Times web site, and you must be registered to enter.

This, and only this, is the correct page for my Guesses. It links to our registration page. They expected to see a ballot.

Here's a link to my review of "Amour." I gave it four stars, and listed it as one of the year's ten Best. Holding an Outguess contest about it may strike some as a trifle silly. Unless you win the Delta Vacaions trip for two for Marvel's "Iron Man 3."

And here is my review of The Weinstein Company's "Silver Linings Playbook."

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Melissa Haizlip: Winner of this year's $25,000 Chaz and Roger Ebert Fellowship at the Indie Spirits Awards

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Melissa Haizlip was born in Boston and raised in the Virgin Islands, Connecticut and New York. After attending Yale, she moved to New York where she first collaborated with her uncle Ellis Haizlip when he produced the groundbreaking PBS special "Three by Three" for Great Performances: Dance In America (PBS).

After studying at Yale, and a 25-year career as a professional Broadway stage performer and TV / film actor, Melissa moved to Los Angeles to work in Development at the American Film Institute. She soon began casting for independent features, including "40," a multi-storyline, international thriller set in Turkey and Africa. After winning the Golden Orange Award for best new talent at the Antalya International Film Festival in Turkey 2009, "40" premiered at the Toronto International Film Festival 2010, screened at Osaka 2010, and received special jury mention at Palm Springs 2011.

In 2009, Melissa founded Shoes In The Bed Productions, an independent film production company producing cinematic works of non-fiction with an emphasis on diverse new voices and filmmakers of color. The company's first feature-length documentary, Mr. SOUL! was featured during IFP's Independent Film Week 2010, Spotlight on Documentaries Forum, and is a participant in the 2011 Producers Guild of America Diversity Workshop. Mr. SOUL! screened at the Congressional Black Caucus Foundation's 41st Annual Independent Film Series in 2011. This project is supported in part by the National Endowment for the Arts, which awarded a Spring 2012 Arts in Media grant to support producyion and post production costs of Mr. SOUL! Melissa is a Project: Involve Fellow in Film Independent's Class of 2012-2013.

And here is a link to the the Website for Melissa's film: .

And a link to my review of a previous winner.

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"The Art of the Video Essay," a page by Kevin Lee, grandmaster of the form

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By Kevin Lee, Our Far-Flung Correspondent

In the age of YouTube and Vimeo, one of the most exciting developments in film culture are online video essays that explore different aspects of the movies. These videos take footage from films and reconfigure them using editing, text, graphics and voiceover to reveal startling observations and insights, visualizing them in ways that text criticism can't. These videos are typically produced independently by using consumer-level equipment, demonstrating that just about anyone with a computer can be both a filmmaker and a critic. The only limits are those of imagination and intelligence.

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Siskel & Ebert review B-Rated movies. And C. And D...

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Marie writes: It's no secret how we feel about B-rated movie trailers inside the Ebert Club; there's nothing like a steaming pile of crap to inspire a good laugh. And it seems we're not alone. For behold: Siskel & Ebert and "The Stinkers of 1983". To enjoy even more amusing discoveries join the Club and explore a truly eclectic assortment of finds. Your subscription helps support the Newsletter, the Far-Flung Correspondents and the On-Demanders.

Go here to join the Ebert Club. Your subscription helps support the Ebert Club Newsletter, the Far-Flung Correspondents and The Demanders.

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