Southside With You
Southside with You builds its emotional richness by coasting on the charisma of its two leads as they carefully navigate each other’s personality quirks and…
Susan Wloszczyna wonders if women at the helm might be just the thing to revitalize the foundering, repetitive comic-book movie genre.
I won't make any grand claims for the "Despicable Me" films as art, but I adore them anyway. There's something appealingly relaxed and confident about them. They don't quite look, move or feel like any other blockbuster animated cartoons, yet they never seem to be trying too hard. And they're the best portrait of single parenthood I've seen outside of "Louie."
The New York Times' David Carr admits that Glenn Greenwald is a journalist; Criterion Collection appreciates Alex Cox's Repo Man; poets go to the movies; James Franco's never-ending navel-gaze; David Edelstein dismantles The Way, Way Back; Kerry Washington on the cover of Vanity Fair; Dennis Hopper documentary.
Frank Serpico's new crusade; the summer that blockbuster violence got out-of-control; a defense of Paula Deen; Futurama signs off; what not to say to a feminist female humorist; Gaby Giffords shoots again.
Steve Coogan has a talent for self-laceration. His best roles are all about him, or rather a reflection of himself that he finds funny, in a pathetic sort of way.
Why whales are beaching themselves; The Lone Ranger was black; Matt Singer out, Sam Adams in at CriticWire; when is Jia Zhangke going to tell us what he really thinks?; Sweet November, from 1968.
"Blood Feast" is a terrible film, and a historically important one, too. On the fiftieth anniversary of its release, Simon Abrams revisits this gore-fest.
Why copyright law is a "total train wreck" on the Internet right now; 10 Westerns that are NOT racist toward Native Americans; the day the Lone Ranger lost his mask; Pixar's not losing it, people.
This piece is about director Neil Jordan's seven most overtly supernatural, fairy tale-like films—The Company of Wolves, High Spirits, Interview with the Vampire, The Butcher Boy, In Dreams, Ondine, and his latest, the mother-daughter vampire shocker Byzantium. An infographic analysis of each—please refer to the key for each symbol's meaning—reveals this pattern and confirms Byzantium is the culmination of 30+ years of Jordan exorcising his personal demons on-screen.
With his perfectly styled Afro, cool bop walk and smart-aleck mouth, martial artist and actor Jim Kelly, who died from cancer on Saturday at the age of 67, was a seventies screen sensation who became an icon. Michael A. Gonzales appreciates cinema's first African-American martial arts star.