Superficially, this is a horror movie, although its distinct lack of such important elements as mounting suspense and genuine scares forces us to think otherwise.
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A group of my losing entries, plus my one Winner, and the entry the cartoon editor said online that he liked but it didn't quite clear the bar on New Yorker's taste standards.
This message came to me from a reader named Peter Svensland. He and a fr...
The conversation about Woody Allen's personal and professional lives intertwining continues, but to what end?
A profile of Ebertfest attendee Alice Adcock.