In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_aprsjzadl6cggwjedxexw7kfnbc

Transcendence

"Transcendence" is a serious science fiction movie filled with big ideas and powerful images, but it never quite coheres, and the end is a copout.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Far Flunger Archives
Other Articles
Channel Archives

Reviews

True Colors

  |  

“True Colors” has ambition. It wants to be an “All the King's Men” or “The Candidate” for the 1990s, a film to show how unprincipled ambition can lead a young man to the very top of politics, and then cast him down again. The new twist this time is that the young man comes from humble origins, and betrays the rich aristocrat who has been his friend. Usually it's the other way around.

The movie otherwise follows a predictable formula, but occasionally overcomes it through the skill of its acting, which redeems several scenes that seem to have been constructed out of durable Victorian novels. The key actors are John Cusack and James Spader, two of the best of their generation, playing this time against type: Cusack is often a hero, and Spader is usually a villain.

The movie begins with a Meet Cute on the first day of law school, when the two men have a fender-bender that's Cusack's fault.

This scene and the one that follows it are so contrived - so entirely at the service of the plot - that it's all the actors can do to soldier through them, but later there's worse, as it is revealed that Cusack has anglicized his name and fabricated his background in order to move in more elevated circles. These revelations are made in dialogue so tortured it belongs in a soap opera.

The movie was produced by Laurence Mark and written by Kevin Wade, the same team who made “Working Girl.” Apparently since then they've had a change of heart, or a reversal of class consciousness.

This year's model of the Working Class Hero gets to the top, not through pluck and determination, but through greed, naked ambition and an apparently inbred moral weakness. The movie actually seems to imply that many of the Cusack character's flaws can be traced back to the fact that he did not have Spader's advantages of birth, wealth and education.

No matter. Cusack is a rotter through and through, a fact that is instantly apparent to everyone in his life except those the screenplay strikes temporarily blind. Early in the story, Spader is engaged to the daughter (Imogen Stubbs) of a powerful senator (Richard Widmark), and invites Cusack to the senator's home for a Christmas party. In no time at all Cusack has angled himself onto the senator's staff and into the daughter's bed, and then Cusack and Spader go on a ski holiday together, where Cusack confesses his infidelity, providing a lame excuse for the two of them to have a ludicrous fight on skis.

Spader rises above this disappointment, and many others (he even volunteers to be the best man at the wedding between Cusack and Stubbs). He even succeeds in blinding himself, for a time, to the unwholesome relationship between Cusack and Mandy Patinkin, as a local real estate developer with mob connections. But then Cusack goes too far, blackmailing Widmark with inside information, and Spader finally fights back.

It's so unlikely that Cusack would fall for what Spader does, however, that we are left with a film in which it's amazing nobody sees through the Cusack character for the first 90 minutes, and through the Spader character for the next 22. “True Colors” requires more than the willing suspension of disbelief; it demands a willful abandonment of incredulity.

Popular Blog Posts

Hashtag Activism and the #CancelColbert campaign

The recent #CancelColbert campaign on Twitter raises all kinds of issues about racism, but also about hashtag activism.

For the love of it: notes on the decline of Entertainment Weekly, the firing of Owen Gleiberman, and the ongoing end of an era

Owen Gleiberman's sacking as lead film critic of Entertainment Weekly — part of a ritual bloodletting of staffers at ...

Able-Bodied Actors and Disability Drag: Why Disabled Roles are Only for Disabled Performers

Scott Jordan Harris argues that disabled characters should not be played by able-bodied actors.

Reveal Comments
comments powered by Disqus