The Bye Bye Man
The Bye Bye Man is the kind of film that is so boring and bereft of anything of possible interest that it becomes infuriating.
shall we be content to obey them,
or shall we endeavor to amend them
and obey them until we have succeeded,
or shall we transgress them at once?
—Henry David Thoreau
By opening his film with those words, Brian Knappenberger makes crystal clear his belief in the cause of his subject in “The Internet’s Own Boy: The Story of Aaron Swartz.” Swartz was the young man who refused to obey "unjust laws" and he was essentially killed after he chose to transgress them. A government turned trigger-happy by the Wikileaks scandal and a general sense that they could no longer control the dissemination of information in the internet age threatened the technologically pioneering Swartz through over-prosecution, bringing charges that could have landed him in jail for 35 years. Completely shattered at not just the prospect of being labeled a felon for the rest of his life but the betrayal of institutions that should have defended him (like MIT), Swartz committed suicide at the age of 26.
The impact of not just his pioneering efforts to make the internet the community and knowledge base it could become but how we could use that for important change has not stopped. One can hear Swartz’s arguments and influence in the fight for net neutrality and calls for access to knowledge to become not a privilege but a right. In that sense, Swartz’s story is one that needs to be told and told and told again until his purpose has its full impact. So it’s forgivable that Knappenberger’s film is one-sided to a fault—anyone who thinks Swartz went too far appears to have turned down requests to interviews and it would have made Aaron’s story stronger to hear from those who defeated him—since that one side continues to change the world.
Aaron Swartz was a prodigy. He was reading at the age of three. And he quickly became fascinated with the way information and copyright worked in the internet age. We have this tool that’s designed in such a way that it could even the playing field of arguably our most important commodity as a species—knowledge. Why aren’t we using it the right way? As he grew up, Swartz became a modern protestor. Just as forward-thinkers before him used their righteous anger in civil disobedience through physical action, Aaron did so through technology, fighting against for profit-corporations keeping information from the world. The internet was the great equalizer. “Now everyone has a license to speak, it’s a question of who gets heard.”
Meryl Streep and other awards recipients shared their thoughts on an America under Donald Trump during last night's G...
This message came to me from a reader named Peter Svensland. He and a fr...
A review of Netflix's new series, Lemony Snicket's "A Series of Unfortunate Events," which premieres January 13.
A look at highlights from the career of the great Peter Cushing.