xXx: Return of Xander Cage
The last forty minutes of the movie do come together in a pretty diverting way.
Imagine how Bruce Springsteen would feel if rock 'n' roll lost its popularity overnight and you'd know, I guess, how the great tap dancers felt in the early 1950s. One day, tap dancing was enormously popular (I can remember half the kids in my grade school class taking lessons at Thelma Lee Ritter's Dance Studio, up above the Princess Theater on Main Street in Urbana). The next day, it was passe - blown away by rock. And there was another cruel blow for many of the tap stars, who were black: As the civil rights movement gained strength, tap dancing itself was seen as projecting the wrong image of black people.
"Tap" stars Gregory Hines as Max Washington, the son of one of the greatest tap dancers. He is a great dancer himself but has thrown away his heritage to lead a life of crime. Now he is out of prison and on the streets again, and his old associates want him to pull a big-time jewel heist. But upstairs over Sonny's, the shabby dance club his father used to run on Times Square, people who love him have other plans for him.
The club is run by Little Mo (Sammy Davis Jr.). His daughter, Amy (Suzzanne Douglas), runs a tap academy on the second floor, and upstairs on the third flooor there's a sort of retirement home for Mo and seven of his pals, old tap dancers. Little Mo dreams that there could be a fusion of tap and rock, and that Sonny's is just the place to launch it. He wants Max to lead the way.
What we have here, then, is the outline for a fairly standard musical plot. Will Max steal the jewels or return to his dancing heritage? Will Little Mo be able to teach him to dream again? And, of course, will Max and Amy fall in love? They were lovers once before, but now there is coldness between them, because Max has grown hard and cynical. And he grows even more bitter when he's insulted by the director of a Broadway show who doesn't know beans about tap dancing.