The Hangover Part III
Better than “The Hangover Part II,” but equally as useless, “The Hangover Part III” plays more like a caper film than an outright comedy. The…
Better than “The Hangover Part II,” but equally as useless, “The Hangover Part III” plays more like a caper film than an outright comedy. The…
Families create their own narratives. Stories are passed on from generation to generation, and in this way the past continues to live, but it can…
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
CANNES, FRANCE — Roger Ebert was honored with a panel at the American Pavilion in Cannes this afternoon, held at a terrace officially known as…
Robert Redford braves the high seas alone in the shipwreck drama "All Is Lost."
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Mother’s Day I awakened to spirited calls from my children and grandchildren. As Roger wrote in his memoir, “Life Itself,” I came from a large family of nine, and I had four brothers and four…
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Ray Harryhausen told us, time and again, the story of how he saw the original "King Kong" (1933) on the big screen when he was…
Dear Roger,You emailed me the questions to this interview on March 15, 2013. In your March 16th reply to my email, you said: The piece…
Tilda Swinton leads 1,500 people in a dance-along to Barry White's "You're the First, the Last, My Everything" during Roger Ebert's Film Festival in the…

"Qwerty" tells the love story of two lonely misfits who find hope with each other. One has been considering suicide. The other has been considering entering the national Scrabble championship. The movie is charming, winning and sweet. The performances are sort of lovable.
Dana Pupkin stars as Zoe, whose family vaguely recalls she might have had a boyfriend once. Eric Hailey is Marty, a security guard in a clothing store. They meet when Zoe is in the store, and Marty leaps on a table and starts shouting at the customers that the underwear is overpriced. "No ass is worth $55!" he advises them.
They have nothing in common with each other, or perhaps with anyone else. They lead protectively inward lives. He gives so little thought to his job that once he absentmindedly comes to work on his day off. She lives in a world of words and has a shelf full of dictionaries but has an uncanny way of always turning up at the Chicago Public Library's Scrabble Club meetings just as they're ending.
Zoe is alive and attractive, not that she knows it. Imagine a cuddly Sarah Silverman. Marty's hair may never have known a comb. He slouches about in an Army surplus jacket and has one of those situations where you can't tell if he's raising a beard or simply unshaven.
They begin to see each other. More accurately, they begin to be not alone while together. Like many new couples, they have a secret place they share. Theirs is out at the end of a forlorn breakwater pointing into Lake Michigan. This is during cold weather. Miraculously, their sex life is great.
The director Bill Sebastian and writer Juliet McDaniel find a nice balance in tones. Any tendency toward goofiness is undermined by the prevailing gloom. There's a scene where Zoe brings Marty home to meet her family from hell. True, Marty isn't super-presentable, even though he knows what a tie is, but the real problem is that Zoe believes her family hates her, and she's probably right.
Then we get to the Scrabble tournament. The movie spares us detailed information about letters, words and point totals. This is more of an exercise of character observation. In a sense, it's less significant whether Zoe wins than whether she gets there on time. There's a nice supporting performance by Joel Wiersema as Dirk, the supercilious defending champion. I also liked the way the referee intones, "Play … Scrabble!"
This is a small, good-hearted movie that knows where it wants to go and how to get there. It didn't bowl me over, but I was perfectly happy while watching it — not least because of the appeal of the leads. It's smoothly and competently made, and well-filmed by David Wagenaar. I can't resist observing that, like many films shot in Chicago, it has certain shots that seem to exist only because the city is so damned photogenic.
Director Bill Sebastian and actress Dana Pupkin will attend the film's local premiere at 8 p.m. Saturday at the Film Center, where it repeats at 8 p.m. Monday and Wednesday.
Robert Redford braves the high seas alone in the shipwreck drama "All Is Lost."
"Only God Forgives" commits the unforgivable sin of being boring, "Muhammad Ali's Greatest Fight" is about old white ...
Marie writes: Now this is really neat. It made TIME's top 25 best blogs for 2012 and with good reason. Behold arti...
If you go to a yacht party, don't expect to be living out your own version of "The Talented Mr. Ripley."