We need more directors willing to take risks with films like Get Out.
It is so rare to find a film where you become quickly, simply absorbed in the story. You want to know what happens next. Caroline Link's "Nowhere in Africa" is a film like that, telling the story of a German Jewish family who escapes from the Nazis by going to live and work on a farm in rural Kenya. It's a hard-scrabble farm in a dry region, and the father, who used to be a lawyer, is paid a pittance to be the manager. At first, his wife hates it. Their daughter, who is 5 when she arrives, takes to Africa with an immediate and instinctive love.
We see the mother and daughter, Jettel and Regina Redlich (Juliane Kohler and Lea Kurka), in their comfortable world in Frankfurt. The mother likes clothes, luxury, elegance. Her husband, Walter (Merab Ninidze), reading the ominous signs of the rise of Nazism, has gone ahead to East Africa and now writes asking them to join him--"and please bring a refrigerator, which we will really need, and not our china or anything like that." What Jettel brings is a ballroom gown, which will be spectacularly unnecessary.
The marriage is a troubled one. Jettel thinks herself in a godforsaken place and Walter, who works hard but is not a natural farmer, has little sympathy with her. Their sex life fades: "You only let me under your shirt when I'm a lawyer," he tells her once when his advance is turned away. But little Regina loves every moment of every day. She makes friends with the African children her age, with that uncomplicated acceptance that children have, and seems to learn their language overnight. She picks up their lore and stories, and is at home in the bush.
Jettel, meanwhile, has a rocky start with Owuor (Sidede Onyulo), the farm cook. He is a tall, proud, competent man from the regional tribe, the Masai, who soon loves Regina like his own daughter. Jettel makes the mistake of treating him like a servant when he sees himself as a professional. He never compromises local custom regarding cooks. Asked to help dig a well, he explains, "I'm a cook. Cooks don't dig in the ground." And for that matter, "Men don't carry water." They are outsiders here in three ways: as white people, as Germans and as Jews. The first presents the least difficulty because the tribal people on the land are friendly and helpful. Their status as Germans creates an ironic situation when war is declared and they are rounded up by the British colonial authorities as enemy aliens; this is absurd, since they are refugees from the enemy, but before the mistake can be corrected, they are transported to Nairobi and interred--ironically, in a luxury hotel that has been pressed into service. As high tea is served to them, a British officer asks the hotel manager if the prisoners need to be treated so well. "These are our standards and we are not willing to compromise," the manager replies proudly.
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