American Fable is ambitious, maybe too much so sometimes, but there's an intense pleasure in the boldness of the film's style.
"Bellflower" is a scrappy indie movie that comes out of nowhere and blows up stuff real good. It also possibly represents the debut of a one-of-a-kind filmmaker, a natural driven by wild energy, like Tarantino. I know what the budget was, but if I told you, you'd arrive at all the wrong conclusions. Let's say Evan Glodell had all the money he needed to make this particular movie and more might have changed it for the worse.
Here is a movie about two buddies who aimlessly hang around in their workshop, designing, oh, you know, things like apocalyptic flame throwers. When they suspend a fuel tank in mid-air and fire at it with a shotgun just to see what might happen, I had the odd notion that they might have filmed the shot only once and found out at the same time we did. A movie this size, how many standby fuel tanks are you gonna buy?
Woodrow and Aiden (Evan Glodell and Tyler Dawson) are two "Jackass" types, and I mean that with the greatest respect. They were pals in Wisconsin, joined up to move to California and live in a town that consists entirely of the poor neighborhood. They are apparently unemployed. They are customizing a classic muscle car they name the Medusa, which when it is finished, will be capable of throwing terrifying plumes of flame into the air and … making quite an impression.
One night they are in a bar. They get involved in a contest requiring them to eat live crickets. This isn't completely crazy; I understand insects are a good source of protein and minerals. Woodrow finds himself in the finals with a friendly blond named Milly (Jessie Wiseman), and it's kismet. You know how sometimes you lock eyes with another person, and in a brief moment, everything is said that needs to be said?