The Bye Bye Man
The Bye Bye Man is the kind of film that is so boring and bereft of anything of possible interest that it becomes infuriating.
Claude Sautet makes movies the way people live - he traces the connections between the mistakes, and celebrates the occasional victories. His movies aren't tightly plotted, and we never have the feeling that his characters are doing something because the screenplay says they must. Sautet's people take their chances like the rest of us.
What's nice about Sautet's "A Simple Story" is that Romy Schneider takes her chances so well. She plays a sleek, delicious, slightly plump woman of 39 who is in the process of breaking up with Serge, her alcoholic lover. He's a dynamo: He spins at high speed, but he's not connected to anything. He despairs of himself, feels inferior, apologizes too much, lives too hard and occasionally gets violent. She loves who he could be, but he is who he is.
Schneider is pregnant by him, but at the movie's beginning she decides not to have the child. We follow her through this decision, and then we meet some of the people in her life: her son by a first marriage, her women friends, the crowd she hangs out with . . . and, eventually, her first husband (Bruno Cremer). Their divorce was painful, we gather. But they have dinner together, and in a scene of exquisitely subtle eroticism she lets him appreciate her beauty over the main course and then lets him know that, ah she's not living with Serge anymore.
The ex-husband calls a few days later, and they have an affair, complicated by the ex-husband's much younger mistress. The irony involved - two formerly married people hiding their affair from the new girlfriend - adds to the humor, and indeed, this whole film is remarkably good-humored. It's not a comedy, but it's not gloomy, either, not even when it grows serious at the end.