Star Trek Into Darkness
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Who
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
Asghar Farhadi ("A Separation") returns with another look at unsolvable dilemmas, an erotic thriller goes all the way, and Hirokazu Kore-eda ("Nobody Knows") tells another…
Two very different documentarians, Marcel Ophüls and Clio Barnard, premiere new work at Directors' Fortnight.
Mother’s Day I awakened to spirited calls from my children and grandchildren. As Roger wrote in his memoir, “Life Itself,” I came from a large family of nine, and I had four brothers and four…
Los Angeles, CA: Sundance Institute will remember and celebrate journalist and film critic Roger Ebert by honoring him with the Vanguard Leadership Award in Memoriam,…
Ray Harryhausen told us, time and again, the story of how he saw the original "King Kong" (1933) on the big screen when he was…
Dedicated to memories of Roger Ebert, for the simple reason that talking about movies is so thrilling. He did not like lists, but I love…
Dear Roger,You emailed me the questions to this interview on March 15, 2013. In your March 16th reply to my email, you said: The piece…
Tilda Swinton leads 1,500 people in a dance-along to Barry White's "You're the First, the Last, My Everything" during Roger Ebert's Film Festival in the…

"A Little Help" is about a woman who is very far from perfect, and that's why it's appealing. Laura limps through her days using Budweisers as a crutch. She never gets falling-over drunk, just buzzed enough to screw up when things go wrong, which they do relentlessly. I like her. I've had days like hers. Every once in a while, I appreciate a change of pace from mothers who are brave heroines.
Laura is a New Jersey dental hygienist, played by Jenna Fischer ("The Office") in such a way that although the plot is loaded against her, she's so real she wins our sympathy. She's not a bad person. Life piles up on her. She has a husband (Chris O'Donnell) who cheats, a son (Daniel Yelsky) who is a lying little brat, a mother (Lesley Ann Warren) who has been criticizing her from birth, a father (Ron Leibman) who won't shut up about his greatness as a sports writer, and a sister (Brooke Smith) who isn't as pretty but is oh, so much better organized.
There are two men in her family she can stand: Her brother-in-law (Rob Benedict), and her nephew (Zach Page), whose garage band may be an excuse to get out of the house.
These people almost seem to coordinate their picking on Laura. Someone is always on her case. The screenplay by Michael J. Weithorn, who also directed, is ingenious in setting the stage for one calamity after another — one which should remain a surprise, and the others all developing inexorably out of Laura's tendency to fib her way out of a corner. This is a talent shared by her son, who to fit in at his new school, shares that his father was a fireman who died while saving people on 9/11. Since the movie is set only a year after that tragedy, the kid is rewarded with instant popularity; Laura keeps quiet about his lie and actually participates in a patriotic memorial service at the school.
If you're in for a dime, you're in for a dollar. Laura gets in for about five bucks. Money she doesn't have — because she learns her husband, who suddenly dies, was far from provident. This leads to painful sessions with a salivating litigator (Kim Coates), who thinks she could win a big-time lawsuit. She only agrees to meet the guy in the first place because her controlling sister insists on it. Laura doesn't like lawsuits. I agree. You may win, you may lose, but the lawyers on both sides always get paid.
I haven't given a good enough notion of why "A Little Help" worked so well for me. It's manipulative, yes, but clever and persuasive in its manipulations. It has a bittersweet revelation when the brother-in-law confides he only married Laura's hateful sister so he could be… her brother-in-law. There is a day of crisis at her son's school, which Laura tries desperately to head off, and I was with her all the way.
And mostly I just plain like Jenna Fischer. She plays a woman who is smart, plucky, trying to do the right thing, and going through a period when every damn thing goes wrong. She deserves better. We believe that, and it's why the movie succeeds. Yes, she could be a better mother for little Dennis, her brat. But he's going through one of those phases when a kid idolizes one parent and pretends to hate the other. Something like that gets on your nerves.
Asghar Farhadi ("A Separation") returns with another look at unsolvable dilemmas, an erotic thriller goes all the way...
Two very different documentarians, Marcel Ophüls and Clio Barnard, premiere new work at Directors' Fortnight.
Michał Oleszczyk falls for offbeat gay thriller "Stranger by the Lake" and gloriously eccentric essay-film "A Story o...
Barbara Scharres has a few choice words for François Ozon's "Young & Beautiful" and Sofia Coppola's "The Bling Ri...