300: Rise of an Empire
In comparison with "300", this insane film is more engaging by dint of being absolutely impossible to take even a little bit seriously.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
A collection of tributes to Roger from various sources.
PARK CITY, Utah-- "Somebody asked me today, do I like acting?" Al Pacino was saying. "That stopped me. I had never been asked that." What did you say?
Here are some of the highlights, and otherwise, of the first four days at Sundance:
PARK CITY, Utah--The question from the audience was pretty direct: "Did you draw on experiences in your own life in this performance?"
PARK CITY, Utah--Robert Redford remembers the early years of the Sundance Film Festival: "We had 30 or 40 films, in two theaters. I was standing in the street outside the Egyptian Theater, handing out brochures like a street hawker, trying to talk people into coming inside. I saw David Puttnam, who was running Columbia at that time, and gave him the pitch. He went in, saw Jim McBride's 'The Big Easy,' and bought it. That was the first film bought at Sundance."
PARK CITY, Utah--I have just spent an hour with the 2003 program for the Sundance Film Festival, and I am churning with eagerness to get at these films. On the basis of track records, this could be the strongest Sundance in some time--and remember, last year's festival kicked off an extraordinary year for indie films.
NEW YORK--While many directors spend years in gestation before making a film, Steven Spielberg seems cheerfully productive. In June he released "Minority Report," an awesomely virtuoso futurist thriller starring Tom Cruise, and now here it is December, and he's back with "Catch Me If You Can," a more lighthearted film starring Leonardo DiCaprio as a teenage impostor and Tom Hanks as the FBI man on his trail. The movie is based on the true story of Frank Abagnale Jr., who now advises corporations against the same kinds of cons he once perfected.
I am engaged in a fierce inner struggle as I begin this article about the brilliant new movie "Adaptation." Part of me wants to write showbiz gossip. The other part wants to get serious and deal with the cinema of Spike Jonze, the inside-out screenplays of Charlie Kaufman, and the way Nicolas Cage plays twins you can tell apart even though they look the same.
NEW YORK--In 1977, right after he made "Taxi Driver," Martin Scorsese took out a two-page ad in Variety to announce his next production: "The Gangs Of New York."
He was sometimes accused of taking it easy during the early years of his career, but James Coburn, who died Monday at 74, had a strong finish.
"My favorite Hollywood suicide of all," Kenneth Anger said, "was Gwill Andre's. She was a starlet who got her pictures in all of the magazines - Film Fun had photos of her galore - but all she got in the movies were walk-on roles. Well, one day she got fed up at having stardom denied her. So she went out in the back yard and built a funeral pyre of all of her press clippings. She lit it and jumped on. That sure does beat 'Day of the Locust.'"