Inside Llewyn Davis
"Inside Llewyn Davis" is the most satisfyingly diabolical cinematic structure that the Coens have ever contrived, and that's just one reason that I suspect it…
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
A collection of tributes to Roger from various sources.
CANNES, France -- Spike Lee's "Summer Of Sam" has the right title. It isn't a film about David Berkowitz, the serial killer who named himself Son of Sam - but about the summer of 1977, when his bloody string of murders coincided with a heat wave and skirmishes in the ongoing American cultural war.
CANNES, France -- The Cannes Film Festival heads into its second weekend, still without a likely Palme d'Or winner, unless we have already seen it, and it is Pedro Almodovar's "All About My Mother." We have been here a week, and that entry, first screened Saturday, is the film most people mention when you ask them what they liked the most.
CANNES, France -- Here, in a nutshell, is the dream of every young movie director in America:
CANNES, France -- Harvey. Only one name is necessary.
CANNES, France -- The Cannes Film Festival has its first unqualified hit in a ribald new comedy by Spain's Pedro Almodovar, and an oddball conversation piece in "The Limey," by the American Steven Soderbergh. As Hugh Hefner's Playmates slug it out with the Hawaiian Tropics girls for the photo op prize, the 52nd annual event is in full swing. Even Chicago's world-famous gate-crasher is in attendance.
CANNES, France -- Bimbos and convergence. Those are the two topics that come to mind for your Cannes correspondent. I will see nine movies this weekend and hope to have some good ones to write about in my next dispatch. But . . . convergence! I have been talking about nothing else.
NEW YORK--The day may never come when kids can make "Star Wars" movies in their bedrooms, but next year they'll have the equipment to do it with. The new Sony Playstation II, which is set for release in 2000, will allow its owners to create and play games in real time. It clocks at five million instructions a second. The computers that made "Star Wars -- Episode I: The Phantom Menace" were not that fast. They cost a lot of money. The PSII will retail at around $200.
CANNES, France -- If Gilles Jacob, the overlord of the Cannes Film Festival, had gotten his way, the Palais des Festivals would have been trembling Wednesday night with the THX soundtrack of "Star Wars -- Episode I: The Phantom Menace." Jacob likes to open his festival with a blockbuster, just to remind everyone what a movie is, before they disappear into intense screenings of tortured adaptations of obscure novels by Herman Melville.
CANNES, France -- One year I arrived in Cannes a little early, two days before the festival was scheduled to begin, and watched the waiters on the famous terrace of the Carlton Hotel as they loaded the good furniture into trucks and unloaded the weather-beaten rattan that I had come to know and love.
Robert Bresson is a rare genius of the cinema, little known to the public, although serious movie lovers discover him sooner or later. His films are not easy to find on the big screen, which is why this complete retrospective at the Film Center of the Art Institute, running through May 9, is a landmark. All 13 of his features will be shown in new 35mm prints.