Make Your Move
With camerawork and editing that allows us to truly enjoy the footwork of its stars, "Make Your Move" is a vibrant, fun dance movie.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
A collection of tributes to Roger from various sources.
Oliver Stone seems at the end of his rope, but then he always seems at the end of his rope. Here is a man who needs sleep. He has flown in from Paris, he's jet-lagged, he's talking in that rapid-fire way we use when we're so tired we don't have the strength to talk slowly. He is talking about "Alexander" (opening Wednesday), his 173-minute epic about "the most amazing life in history," and he describes him: "Already, at 26, he had the political leadership of the world." Switching thoughts: "We used to think young people could rule the world. Today, young people are a demographic, a market."
Alfred Kinsey has been dead for 48 years, and he still makes people mad. "Kinsey," a movie inspired by the life of the sex researcher, hasn't even opened, and here is an AP story about "indignant conservative groups" who think it is propaganda for the sexual revolution.
SAVANNAH, Ga. – The chair moves. It truly does. It may not seem like a big deal to you, because you are a reasonable person who is not obsessed with “Citizen Kane,” but I have seen the movie perhaps 100 times, and analyzed it shot-by-shot in at least 30 sessions at festivals and in class, and I thought it contained no more surprises for me. The beauty of the shot-by-shot approach is that the theater is filled with other eyes watching the screen.
Christopher Reeve, who became famous playing a character who could fly around the world, and as a man whose wheelchair did not limit his flights of idealism, died Sunday. He was 52. In the years since he was paralyzed in a riding accident in 1995, he became the nation’s most influential spokesman for research on spinal cord injuries, and never lost the hope that he would someday walk again.
Hank Oettinger, who arguably wrote more letters to more editors than anyone else in Chicago history, is dead at 92. Mr. Oettinger died in his sleep Tuesday morning, Oct. 5, of natural causes, according to his friends Tobin Mitchell and Bruce Elliott.
Rodney Dangerfield, who died on Tuesday at 82, had many reincarnations as a comedian, not hitting his stride until his 40s. In 1983, Ebert visited the set of his movie "Easy Money" (1983).
Among Janet Leigh's last interviews was one she gave in July to the Sun-Times' Miriam Di Nunzio about the DVD release of "The Manchurian Candidate." Some excerpts: On working with directors John Frankenheimer, Alfred Hitchcock and Orson Welles: "They were all geniuses. Hitchcock ['Psycho'] did not like ad-libbing at all because everything was timed to perfection in his scenes. Orson loved ad-libbing. The whole ['Touch of Evil'] script was skeletal. Frankenheimer liked spontaneity, but 'Manchurian Candidate' was too closely honed a story to really ad-lib much. There wasn't a whole lot of that going on during filming."
TORONTO -- Pete Seeger was standing in the corner of the big dressing room, playing a tune on his recorder. Fred Hellerman was planted on a chair, listening. "It's an old Japanese air," Seeger said, putting down his recorder.
Russ Meyer is dead. The legendary independent director, who made exploitation films but was honored as an auteur, died Saturday at his home in the Hollywood Hills. He was 82, and had been suffering from dementia. The immediate cause of death was pneumonia, said Janice Cowart, a friend who supervised his care during his last years. She announced his death Tuesday.
TORONTO -- "Hotel Rwanda," a film that left its audiences shaken with its portrait of genocide in Africa, won the People's Choice Award here Sunday as the audience favorite at the 29th Toronto International Film Festival.