Goodbye to Language
Jean-Luc Godard's latest free-form essay film may be, more than anything else, a documentary of a restless mind.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
A collection of tributes to Roger from various sources.
"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
From Jenifer Mills, Gordonville, TX:
From Ryan Somers, Stratford, CT:
See also my blog entry, Tru3D: 2 good 2 b 2?
His code name is Deep Vote. He reads the mind of the Academy. He will reveal to me the names of this year's nominees. Our annual rendezvous is in the Anime section of a small Blockbuster in an obscure Midwestern city. He pulls on latex gloves and uses a fingernail knife to slit open a fresh pack of 3X5 cards. He writes down his predictions.
From Debbie Morse, Orlando, FL:
From Brad Spittler, Schenectady, NY:
From Agatha Jadwiszczok, New York, NY:
Virginia Madsen played the significant role of the Angel of Death, named "The Dangerous Woman," in Robert Altman's last film, "A Prairie Home Companion." She wrote down these memories at my request. Altman died on Nov. 20, 2006. I was still in intensive care, and Chaz withheld the news from me. Did Bob guess how near the end was? He was a very intelligent man, a realist, with leukemia and a heart transplant from 11 years earlier.
I just don’t believe a man who kills for a living doesn’t have nightmares. --Daniel Craig
In reading some of the reviews and excerpts of your new Scorsese book, I finally "got" what it is that you get about his work: Catholic identification. I'm sure other people have said the same thing over the years, but for some reason, it only just clicked with me. Because this is exactly why I never really got Scorsese.