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Dear White People

You could make a (film geek) party game out of guessing director Justin Simien's influences, but his vision seems to spring directly from what's up…

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Private Violence

A look at the complexity of domestic violence, especially when it comes to the difficulty of prosecuting abusers in a court of law, "Private Violence"…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Movie Answer Man (08/18/1996)

Q. My 10-year-old son and I took off half a day so we could see "Jack," our favorite actor's "sweet little movie," as Robin Williams described it on Leno. I was stunned by the highly sexualized depiction of boys in the fifth grade. Since we have one, I can assure you that Penthouse magazine is really not part of the picture at this developmental stage. My greatest concern was the conduct between Fran Drescher and Robin Williams. None of the little boys were laughing or even connecting with the weird scene of Williams pawing his friend's mother. The french kiss was offensive, and proved that somehow Hollywood felt it had to even the score by showing that boys can be exploited by women. What was the point? This was hardly intended for the same audience as "The Graduate" or "Summer of '42." My son's reaction was confusion and disgust as he tried to figure out why this was in the movie. My reaction was, the movie was a colossal betrayal by Mr. Williams. FYI, I am a lawyer and have spent much of my professional career involved in the representation of children and the creation and implementation of laws related to child abuse and neglect. Please consider the content of the movie as people need to at least be aware that it is hardly the benign little story it is cracked up to be! (Myra Werrin Sacks, Harrisburg, Pa.)

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