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A Woman, a Part

A Woman, a Part mixes passion and ambivalence to create a work whose ambiguities seem earned, and lived in

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T2 Trainspotting

An opportunity to wallow in grimy nostalgia seems to be its sole purpose.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Liv Ullmann and memories of Bergman

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Many great artists are flawed. Few have been more courageous in their examinations of conscience than Ingmar Bergman. Now in his early 80s, he lives on Faro, a Baltic island where he has long retreated between movies. He directed his last feature film, "Fanny and Alexander," a memory of childhood, in 1986. Since then he has written a series of screenplays to be directed by those close to him. In these, he seems to be trying to evaluate his life, and asking loved ones to forgive him his trespasses.

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Reel tired

CANNES, France -- Since my last dispatch I have seen nine films, four of them more than three hours long, bringing my Cannes total to 16 movies in six days. I feel like the hero of "A Clockwork Orange," who had his eyelids propped open with toothpicks while cinema was force-fed into his brain.

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