Features
The Internet Will Never Let Russell Crowe Forget Les Miserables
When the Oscar-winning blockbuster opened in 2012, many mocked the actor’s singing. Now that the film is getting a re-release, maybe it’s time to change our tune.
Tim Grierson is the Senior U.S. Critic for Screen International. His writing appears frequently in the Los Angeles Times, Vulture and Rolling Stone, and he is the author of seven books, including his latest, This Is How You Make a Movie. A member of the Los Angeles Film Critics Association and the National Society of Film Critics, he co-hosts a weekly film podcast, Grierson & Leitch.
When the Oscar-winning blockbuster opened in 2012, many mocked the actor’s singing. Now that the film is getting a re-release, maybe it’s time to change our tune.
Deemed a commercial disappointment at the time, Christopher Nolan’s time-bending 2020 thriller isn’t as well-regarded as many of his other films. Four years later, with a splashy re-release on the horizon, we talk to five diehard fans who expressed their…
From On Golden Pond to the recent Bleeding Love, a family drama can be more affecting when it features actual dads and their children. We look at the best and the worst of this niche genre.
As the French director’s most beloved movie returns to theaters, he talks about being a pessimist and why he never gets tired of rewatching his films.
Director Dan Partland discusses his disturbing film God & Country and explains why he thinks the left needs to do more to align with thoughtful religious conservatives, even if they disagree with some of their beliefs.
Now streaming on Netflix after years of being hard to find, the pop singer’s infamous 2002 film remains hokey and cheesy. So why does it play differently today?
From Bob Dylan to the Black Woodstock, here are the concert films and behind-the-scenes portraits that go to 11.
A feature on the savvy media management of Dakota Johnson.
An interview with the director of Glory, Legends of the Fall, and many more.