Great Movies
MZS
Speed Kills: On the 25th Anniversary of Go
Many beloved films will be celebrating their 25th anniversary this year as one of the best years ever unfolded in 1999. Don't forget Go.
Many beloved films will be celebrating their 25th anniversary this year as one of the best years ever unfolded in 1999. Don't forget Go.
The Bourne Identity director made headlines by threatening to boycott the premiere of his new movie, Road House. It’s just the latest example of how this idiosyncratic filmmaker can often be his own worst enemy—even when his movies end up being great.
Favored to win an Oscar for Oppenheimer, the actor is poised to cement one of Hollywood’s greatest comeback stories—which, back when he was battling addiction, didn’t seem possible.
A recap of the fourth episode from season two of The Mandalorian, Chapter 12: The Siege.
A recap of the SDCC panel about the gadgets of Disney+'s The Mandalorian.
What the writers of RogerEbert.com have been watching while being stuck at home.
The latest on Blu-ray and streaming, including The Lion King, Stuber, The Art of Self-Defense, and special editions of Ringu, An American Werewolf in London, and When We Were Kings.
The suggestions in this article are worth 10 billion dollars.
The staff reveals their individual picks for the best films of 2016.
Highlights of the live-action portion of 2015's D23, featuring "Star Wars: The Force Awakens," "Captain America: Civil War," and more!
A personal recap of the 2015 Critics Choice Movie Awards.
Highlights of home entertainment options on Netflix, VOD, and Blu-ray/DVD, including classics from Woody Allen, new horror films, "Chef," "Obvious Child," "Hellion," and much more.
A history of movies not directly based on comic books but definitely inspired by them.
Marie writes: Widely regarded as THE quintessential Art House movie, "Last Year at Marienbad" has long since perplexed those who've seen it; resulting in countless Criterion-esque essays speculating as to its meaning whilst knowledge of the film itself, often a measure of one's rank and standing amongst coffee house cinephiles. But the universe has since moved on from artsy farsty French New Wave. It now prefers something braver, bolder, more daring...
