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Days of Heaven: "Somewhere, I don't know, over there..."

"Troops of nomads swept over the country at harvest time like a visitation of locusts, reckless young fellows, handsome, profane, licentious, given to drink, powerful but inconstant workmen, quarrelsome and difficult to manage at all times. They came in the…

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Opening Shots: Badlands

It starts in a girl's bedroom, the camera slowly retreating in a gentle arc around the bed where the girl lovingly pets and hugs her dog. A teenager's room is a private sanctuary, and this bed (with a blanket folded…

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Opening Shots: The New World

From David Nicol: The camera drifts slowly across a stretch of calm water. Insects and birdsong can be heard. Raindrops begin to strike the water's surface as we pass over a patch of water weed. And in voice-over, a young…

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Opening Shots: They Live By Night

Nicholas Ray's directorial debut, "They Live By Night" (1949), begins like a trailer and then slams us right into the opening titles of the feature. An attractive young couple (Farley Granger and Cathy O'Donnell) are nestling in close-up by the…

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Opening Shots: The American Friend

The opening shot of Wim Wenders' moody color noir "The American Friend" (1977), based on Patricia Highsmith's 1974 novel "Ripley's Game," isn't anything fancy or complicated -- no intricate tracking or crane movement -- but, wow, does it announce the…

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Terrence Malick, the man who wasn't there

If you followed the gossip from the recent Cannes Film Circus, you will have heard that there were two incidents of scandalous behavior by directors who had films in competition. One of them involved Lars von Trier, who felt so…

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What Lars von Trier really said about Nazis...

... and Germans and Jews and Albert Speer and Susanne Bier, etc., at the post-"Melancholia" press conference at the Cannes Film Circus. The quotations I've seen in print have been fragmentary and/or inaccurate, and understandably can't convey tone. This isn't…

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Opening Shots: The Player

From Jason Haggstrom (haggie), Reel 3: The opening shot of Robert Altman's "The Player" establishes the film as a self-reflexive deconstruction of the Hollywood system and those who run it. With its prolonged shot length, the take is also designed…

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The best and worst of Woody Allen

The challenge: Pick the five best and five worst Woody Allen movies from the 40-something features he's directed since "What's Up, Tiger Lily?" (the Japanese spy movie he re-dubbed and re-cut in 1966). Here are my choices, loosely ordered, for…