“Understated” isn’t a word you’d ordinarily use to describe a Jerry Bruckheimer production, but that’s surprisingly what 12 Strong ends up being.
You better watch out You better not cry You better have clout We're telling you why Two Thumbs Down are comin' to town We're making a list, Checking it twice; Gonna find out whose movie was scheiss. Sandy Claws is comin' to town. We see you when you're (bleeping), We know when you're a fake We know if you've been bad or good So be good for cinema's sake!
After years of speculation and delays, "The Tree of Life," Terrence Malick's long-awaited film that took viewers from the beginning of time to 1950s Texas, proved to be worth the wait, according to the Chicago Film Critics Association. The CFCA gave "Tree of Life" four awards including Best Picture, Director, Supporting Actress for newcomer Jessica Chastain and Cinematography for Emmanuel Lubezki.
Making lists is not my favorite occupation. They inevitably inspire only reader complaints. Not once have I ever heard from a reader that my list was just fine, and they liked it. Yet an annual Best Ten list is apparently a statutory obligation for movie critics.
My best guess is that between six and ten of these movies won't be familiar. Those are the most useful titles for you, instead of an ordering of movies you already know all about.
One recent year I committed the outrage of listing 20 movies in alphabetical order. What an uproar! Here are my top 20 films, in order of approximate preference.
A 2009 story about a 12-year-old musical prodigy caught my eye today. His name is Jay Greenberg. He composes in his mind. It comes to him naturally. When we think of musical prodigies we imagine a child on a piano bench, or playing a violin. Not many compose. Greenburg has written five symphonies.
Sam Zyman, a composer who is Jay's teacher at Julliard, told Rebecca Leung of CBS News: "We are talking about a prodigy of the level of the greatest prodigies in history when it comes to composition. I am talking about the likes of Mozart, and Mendelssohn, and Saint-Sans.
I commissioned this chart to make my position clear. I've avoided the subject until now because, while I instinctively felt I must be in favor of the Occupiers, I wasn't sure what the movement stood for. I support most populist uprisings on matter of principle, and would perhaps even support the Tea Party were it not demonstrating in favor of the very things that are wrong.
At the end of December, our public television program "Ebert Presents At The Movies" will go on hiatus while we find necessary funding. This move is necessary to allow the public television stations that carry our show to plan their programs for the beginning of the new year. We held off as long as possible but we had to give notice today.
Where do you like to sit when you go to the movies? I know where I do, and I even suppose I know why. I started reconsidering my thinking, however, when I read David Bordwell's enlightening new blog entry, "Down in front!"
Here is a man who recalls every film he has ever seen, and where, and when, and why, and where he sat, and usually who he sat next to. That person has often been his wife, Kristin Thompson. That they take turns writing entries on the world's best film blog may tell you something.
You read the word and without skipping a beat you know what it means. I am so clueless that I became aware of it for the first time in the past few days, in reviews of "Twilight Saga: Breaking Dawn: Part 1."
The observation is made that Stephanie Meyer's best-selling series of novels is profoundly heteronormative.
The two most important things that can happen to you in a mainstream movie are being killed and having an orgasm. Sometimes in facial close-ups it's hard to tell one from the other. When Pauline Kael saw that wall poster in Italy saying "Kiss Kiss Bang Bang," she sensed she was onto something.
To all those who have expressed concern about the future of "Ebert Presents at the Movies," thank you!
We are moved by the response from friends, bloggers, viewers, newspaper writers and even heavyweights in the industry stepping up in an incredible effort to rally support for Roger and the "Ebert Presents" show.
It is clear that this show is valued and respected for the quality of content and programming, and the contribution it makes to the fabric of our culture. We are also pleased that so many of you agree with us about the talents of Christy Lemire, Ignatiy Vishnevetsky and our contributors.