The Dead Don't Die
A leisurely film about the end of the world, with flesh-eating and lots of jokes and a few moments of eerie beauty.
Some of the critics said "For Love of Ivy" was just one more stereotyped Hollywood boy-gets-girl comedy, only this time Sidney Poitier got Abbey Lincoln instead of Cary Grant not quite getting Doris Day. "Well, yes, we're all stereotypes," Abbey Lincoln said. "That's because people tend to be alike. In the movie, Ivy is a colored maid. But if she had been a doctor, her emotional experiences would have been the same. And the movie could have been shot in Japan or Germany, and you would still care about what happens to Ivy."
"You name it, I played it," said Jerry Paris. "I was the co-pilot, the best friend, the roommate, the Army buddy. In three movies, I was second banana to Bonzo the monkey. Remember Bonzo? He was the number one monkey in Hollywood, bigger even than Cheetah the Chimp, until he was killed in a tragic fire. Let's see. I was in 'Bonzo Goes to College,' and in 'Monkey Business,' and another one. 'Monkey Business,' also had Marilyn Monroe and Cary Grant, but as I recall Bonzo got equal billing.
"In 1946, my father placed third in a poll to name the most famous movie producer in America," Michael Todd Jr. said. "Know what was funny? At the time, he had never produced a single movie. Oh, he had a lot of deals going. He had a contract with Universal to make nine movies. He never made any.
NEWMARKET, ENGLAND - "I'd rather fight in a Spitfire but fly in a Hurricane," said Ginger Lacey. He raised his glass of ale, quaffed the foam off the top and, in the same motion, wiped his mustache clear on the sleeve of his sport coat.
"You ever look into Ben Hecht?" Norman Jewison asked. "Hecht was one hell of a guy. You can read his stuff and it comes out like it was written today: bitter and tough. He had a lot to say about this country."
Terence Stamp materialized in the Pump Room dressed in the uniform of a British movie star: long hair, Mod suit, bit of mustache, and a guarded leer.
Once was that all American movies were made by Hollywood directors, and the way you got to be a Hollywood director was to have been one for 30 years. A few foreign directors like Jean Renoir were summoned to Hollywood, but they invariably found it impossible to make movies with the studio czars breathing in their ears. And so it was often true that Hollywood movies were products of Group Think, and foreign movies were the work of individual directors.
There was a smile of conspiracy on the face of the Irish bartender. "Now you listen carefully, and I'll tell you what to do," he whispered to his blue-eyed wife.
When Bonnie and Clyde get killed, a girl in the third row asked, what should we feel - relief or sympathy? "Yeah, sure," David Newman said.