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Colette

Knightley gives one of her best performances as a girl with spirit and talent who becomes a woman with ferocity and a voice

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Fahrenheit 11/9

The messiness of Moore’s film starts to feel appropriate for the times we’re in. With a new issue being debated every day, is it any…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Abbey Lincoln: "You can't really tell the story until everyone gets on the stage."

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Some of the critics said "For Love of Ivy" was just one more stereotyped Hollywood boy-gets-girl comedy, only this time Sidney Poitier got Abbey Lincoln instead of Cary Grant not quite getting Doris Day. "Well, yes, we're all stereotypes," Abbey Lincoln said. "That's because people tend to be alike. In the movie, Ivy is a colored maid. But if she had been a doctor, her emotional experiences would have been the same. And the movie could have been shot in Japan or Germany, and you would still care about what happens to Ivy."

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Interview with Jerry Paris

"You name it, I played it," said Jerry Paris. "I was the co-pilot, the best friend, the roommate, the Army buddy. In three movies, I was second banana to Bonzo the monkey. Remember Bonzo? He was the number one monkey in Hollywood, bigger even than Cheetah the Chimp, until he was killed in a tragic fire. Let's see. I was in 'Bonzo Goes to College,' and in 'Monkey Business,' and another one. 'Monkey Business,' also had Marilyn Monroe and Cary Grant, but as I recall Bonzo got equal billing.

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Interview with Michael Todd, Jr.

"In 1946, my father placed third in a poll to name the most famous movie producer in America," Michael Todd Jr. said. "Know what was funny? At the time, he had never produced a single movie. Oh, he had a lot of deals going. He had a contract with Universal to make nine movies. He never made any.

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Interview with Ginger Lacey

NEWMARKET, ENGLAND - "I'd rather fight in a Spitfire but fly in a Hurricane," said Ginger Lacey. He raised his glass of ale, quaffed the foam off the top and, in the same motion, wiped his mustache clear on the sleeve of his sport coat.

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Interview with Roman Polanski

Once was that all American movies were made by Hollywood directors, and the way you got to be a Hollywood director was to have been one for 30 years. A few foreign directors like Jean Renoir were summoned to Hollywood, but they invariably found it impossible to make movies with the studio czars breathing in their ears. And so it was often true that Hollywood movies were products of Group Think, and foreign movies were the work of individual directors.

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