Just Getting Started
Just Getting Started never really gets going. It only kept me thinking, “Is this ever just going to finish?”
Suite 1705 of the Ambassador East Hotel includes a glass-enclosed luncheon porch overlooking the city. There are windows on three sides. On the fourth, there are steps that lead back into the living room. From there you go out into the hall down the elevator and back to reality.
With the lithe grace of a seasoned athlete, Peter Finch lifted the tea bag from the teapot and, holding it by the trademark at the end of its string, dropped it into an ashtray. His aim was accurate, and he permitted himself a dour smile.
Robert Blake said he was fed up with being interviewed and smiling at strangers. He wanted to go someplace and listen to loud music. Fate led him to The Store, that famous Rush Street place where all the young folk congregate who aren't getting any younger.
The first thing that happened to Stanley Kramer after he walked through the door of the Old Town Saloon was that a young lady said: "You Stanley Kramer? I hated your movie."
STOCKHOLM - Even when he is not behind a camera, Bo Widerberg is a director, concerned with the arrangements of things. He takes a dinner knife and draws boundaries on the table cloth, and then he divides the wine glasses and bread plates into groups related somehow to the lines he has drawn.
Rex Harrison admittedly isn't as dumpy as Dolittle, perhaps because they weigh the same but the doctor is about a foot shorter. But what difference does that make?
Just before the big production number in "Footlight Parade," James Cagney says: "If this doesn’t get ‘em, nothin’ will." What follows is the famous "By a Waterfall" sequence in which Dick Powell dreams of dozens of beautiful mermaids sliding and swimming down a waterfall. One of the little creatures, naturally, is Ruby Keeler.
For an hour the screen was filled with clips from the movies of 37 years. Garbo in "Camille." Katharine Hepburn in "The Philadelphia Story" and again with Spencer Tracy in "Adam's Rib." Ingrid Bergman in "Gaslight." Audrey Hepburn in "My Fair Lady." And, of course, Judy Garland in "A Star Is Born."
You aren't going to believe this, but Sandra Dee is an all-right chick. The first thing she said was: "Well, do you want the party line? You know, about my mother and my new mink coat, and how I feel about my divorce, and how much I love to cook, and how I'm really just a little ole homebody at heart?"
Maybe a young director shouldn't expect too much. Peter Watkins made "The War Game," a documentary about nuclear war, and it was banned on British television and described by Kenneth Tynan as the most important film ever made. Then Watkins made his first full-length feature, "Privilege," in which he was just as bitter, in a different way, about how things were going. But the reviewers didn't exactly lose their cool." Watkins said the other day. "You know the kind of review. It's a good try, they say. Interesting. Original. But it doesn't quite come off." Watkins' "The War Game," which has been at the World Playhouse for a month, shows what would happen if a small nuclear device were to explode off-target in England.