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The Guilty

With its single setting and real-time story, The Guilty is a brilliant genre exercise, a cinematic study in tension, sound design, and how to make…

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Halloween

Do you know the biggest sin of the new Halloween? It’s just not scary. And that’s one thing you could never say about the original.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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'The only great party is a boy and a girl and a whole cheesecake': An interview with Groucho Marx

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I. Tuesday afternoon at Le Bistro, a restaurant in Beverly HillsBEVERLY HILLS, 1972 -- Groucho Marx was wearing blue jeans, Hush Puppies, a brown sport shirt buttoned at the neck, an ancient tweed sport jacket, a cap and a pepper and salt overcoat. He peered into the gloom of Le Bistro, seeking out familiar faces, while a young lady introduced herself to me. “My name is Erin Fleming. I'm Mr. Marx's secretary."

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Interview with Louis Malle

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It was a night in New York to hover over a bottle of burgundy, one's elbows on the table and talk of human love, of myth, of decency...and incest. They had not all seemed to belong in the same sentence before tonight, but now - well, "Murmur of the Heart" is not an ordinary film. Hardly.

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Interview with Franklin Schaffner

"If we did nothing else, we brought Rasputin into focus" Franklin Schaffner said in a musing sort of voice. "Rasputin wasn't really a mystic. He didn't heal the child through supernatural powers. Perhaps he was simply able to relax the child, and that brought down his temperature. That's my theory . . ."

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Interview Leon Ames

One of my indelible memories from 1950s television is of Leon Ames, on Life with Father, standing in the midst of a family catastrophe and exclaiming, "Oh, no!" Now the trouble with that line is that it doesn't look like much in print. It doesn't sound like much, either, unless you can remember the way Ames delivered it.

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Ann-Margret: Still cracking that whip

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LAKE GENEVA, WI -- There is just no keeping up with all the new Ann-Margrets. Last year's new Ann-Margret abandoned her image, as the press releases say, to play a committed graduate student in "R.P.M." Her quandary: Should she still shack up with Anthony Quinn after he stops being a radical professor and becomes a moderate administrator? That's a dicey quandary, believe me, because Ann-Margret was playing a liberated woman even if she didn't have her own motorcycle and had to ride on the back of Anthony Quinn's.

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Interview with Mike Gray

NEW YORK - After the second screening of "The Murder of Fred Hampton" at the Museum of Modern Art, Mike Gray was sitting at the bar of the Chelsea Hotel and trying to decide how to take New York by storm. The museum screenings have generated a lot of enthusiasm and favorable reviews, but it costs $30,000 minimum to open a movie in New York and advertise it properly.

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