Annabelle Comes Home
Annabelle Comes Home isn’t entirely without its guilty pleasures.
An article compiling the memories of local Ebertfest Film Festival audience members, from those newly attending to those who have attended for twenty years.
An article about Chaz Ebert being chosen for the Alliance of Women Film Journalists' Spotlight.
Sadly, the film doesn’t live up to the depth of the music that seems to have inspired its existence.
Arthur Penn made a movie about ourselves; John Lee Hancock has a movie about itself.
The shaggy dog nature of this film, one that mimics its protagonist’s neverending belief that everything is just gonna be alright, alright becomes almost transcendent.
The full line-up of films screening at the 21st Roger Ebert Film Festival-Ebertfest 2019, is unveiled.
On three docs from SXSW.
On three premieres from Austin, including a new comedy starring Kumail Nanjiani and Dave Bautista.
Two more films from SXSW reviewed, including this year's Audience Award winner.
An article announcing the Aretha Franklin documentary, "Amazing Grace," as the opening night selection for Ebertfest 2019.